Afro-surrealism with a banging soundtrack
A review of Boots Riley’s I Love Boosters
by Glenn AllenWhat makes I Love Boosters distinctive is the clarity of its class politics—a review by Glenn Allen.
A review of “Kneecap”, stage and screen
Visions of a united socialist Ireland
by Glenn AllenGlenn Allen reviews the film Kneecap (2024).
Not your father’s comic
A review of HBO’s Harley Quinn
by Glenn AllenExcerpt: Glenn Allen reviews the surprisingly leftist politics featured prominently in the animated HBO Max superhero series Harley Quinn.
21st century noir in ‘50s Detroit
A review of Soderbergh’s No Sudden Move
by Glenn AllenGlenn Allen reviews Steven Soderbergh’s No Sudden Move—released in 2021 and set in 1950s Detroit—and finds a delightful political film noir.