{"id":6135,"date":"2022-04-15T23:18:03","date_gmt":"2022-04-16T03:18:03","guid":{"rendered":"https:\/\/www.tempestmag.org\/v01_2020\/staging\/?p=6135"},"modified":"2022-04-19T22:48:08","modified_gmt":"2022-04-20T02:48:08","slug":"building-from-the-bottom","status":"publish","type":"post","link":"https:\/\/tempestmag.org\/test02\/2022\/04\/building-from-the-bottom\/","title":{"rendered":"Building from the bottom"},"content":{"rendered":"<p><span class=\"dropcap\">I<\/span>n the South, networks of communication run like honeysuckle roots through the region\u2019s radical underground. Activists along these subterranean lines spread news of mutual aid, of protest, of struggle. And as beloved and nourishing as anything else, the crafts of our cultural workers are sent through, too. Nutrients to a stressed, besieged body.<\/p>\n<p>Like honeysuckle roots, organizing in the South is a rhizomatic system. Between long, dormant stretches, here and there are nodes of activity. At times, renewed by these nutrients, new growth struggles indomitably up, as if through the red clay itself, and bursts into view.<\/p>\n<p>But, indeed, it is a struggle.<\/p>\n<p>In the South, workers have the worst conditions in a country already committed to stacking its deck against the working poor, against the oppressed, against people with disabilities. Last year, the U.S. affiliate of Oxfam <a href=\"https:\/\/www.oxfamamerica.org\/explore\/countries\/united-states\/poverty-in-the-us\/map-best-states-to-work-2021\/\">released a report<\/a> titled, \u201cBest and Worst States to Work in America 2021.\u201d Its measures included wage policies, worker protections, and rights to organize.<\/p>\n<p>The Southern states are huddled at the bottom. South Carolina, Alabama, and Mississippi are ranked 48th, 49th, and 50th.<\/p>\n<p>And it gets worse. Oxfam\u2019s ranking includes Puerto Rico and Washington D.C., too, so the bottom-dwellers keep coming. Georgia is ranked 51st, and dead last at 52nd: North Carolina.<\/p>\n<p>It\u2019s no coincidence that down here, poverty reigns. Beleaguered masses are unemployed or underemployed, uninsured or underinsured. Given these generational, vice-like poverty conditions and some of the most noticeable absences of social protections, it\u2019s not surprising that Black poverty is disproportionately high. Given those same conditions, and <a href=\"https:\/\/www.ilrc.org\/national-map-287g-agreements\">some of the most complete integration<\/a> of ICE and local law enforcement in the country, it\u2019s not surprising that Latinx poverty is disproportionately high, too.<\/p>\n<p>In this environment, this scorched earth, it is our lives, our work, our livelihoods that are ripped up to ensure pristineness for the fortunate few. In this environment\u2013in which the powerful toil not only to maintain our immiseration, but to silence any remembrance of our radical past\u2013it\u2019s our revolutionary politics of abolition, of liberation, of unshakeable solidarity, that are considered invasive.<\/p>\n<p>We are the honeysuckle vines ever emerging along the edges of Augusta National Golf Club in Georgia\u2013the home of The Masters. Contemporarily, we are cut down. Historically, we\u2019ve been sprayed back.<\/p>\n<p>But they must not fathom that our roots will always endure. And will ever rise up: There, and there.<\/p>\n<p>Increasingly charged with the radical passion of our cultural workers. Increasingly unmastered.<\/p>\n<hr class=\"half\" \/>\n<p>At the beginning of February, an email shot through one line in our networks. News that raced from one Southern campus workers\u2019 union to the next. Nutrients carried from node to node.<\/p>\n<p>The email was sent out by an organizer for the UE150, the North Carolina Public Service Workers Union. Its message was simple:<\/p>\n<p style=\"padding-left: 40px;\">Ready for this??<\/p>\n<p style=\"padding-left: 40px;\">Check out this video from a campus worker union member in United Campus Workers of Georgia (CWA).<\/p>\n<p>What followed the brief text was a YouTube link to a video for artist <a href=\"https:\/\/www.youtube.com\/watch?v=QIxsXzrugUE\">Linqua Franqa\u2019s song, \u201cWurk.\u201d<\/a><\/p>\n<p>Very few viewers are ready.<\/p>\n<p>It\u2019s a tremendously produced video for a song that injects extraordinary inspiration into those in struggle. It lays bare the conditions that so many workers face, in the South and beyond, as well as the resulting feelings that such conditions produce. Even its first lines shout out the simmering unionization movement among us,<\/p>\n<p style=\"padding-left: 40px;\">Communication Workers of America!<\/p>\n<p style=\"padding-left: 40px;\">United Campus Workers of Georgia 3265, bish!<\/p>\n<p>and it then builds with unshakeable energy and a precision of analysis.<\/p>\n<p>But no praise does it justice:<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/QIxsXzrugUE\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Continuing to speed along these networks, the news of \u201cWurk\u201d exploded in a node of radical activity in Greensboro, North Carolina, known as the Greensboro Revolutionary Socialists (GRS). As soon as one of its comrades, Demetrius Noble (he\/him), watched it, he began to prepare new ground.<\/p>\n<p>Noble is a radical culture worker of his own renown. He\u2019s a poet invited to perform\u2013live in person, in video, or off the page\u2013for audiences across the country and beyond.<\/p>\n<p>Recently, during the long hot summer of 2020, when Chenjerai Kumanyika interviewed Ruth Wilson Gilmore on <em>The Intercept\u2019s<\/em> podcast, Noble <a href=\"https:\/\/theintercept.com\/2020\/06\/10\/ruth-wilson-gilmore-makes-the-case-for-abolition\/\">joined to speak<\/a> his poem, \u201cPoverty, Policing, Pandemic: A #BlackLivesMatter Grounding Exercise.\u201d<\/p>\n<p>Some years earlier, when former Ferguson police officer Darren Wilson was not indicted for his murder of Michael Brown, Noble witnessed the demoralization of activists, organizers and regular folks across Greensboro. So, he performed the following poem at a rally, injecting the audience with similar exhilarating inspiration as found in Linqua Franqa\u2019s \u201cWurk.\u201d<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Rrk-YyT_rMY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Noble is also a professor, bringing his role as a radical cultural worker to the UNC-Greensboro campus each semester. In the past, he has crafted and taught politically urgent courses such as \u201cRhymes &amp; Resistance (African American Poetry),\u201d \u201cIntro to a Class Analysis of Racism,\u201d and even \u201cJay-Z as Ideology.\u201d<\/p>\n<p>This semester, he\u2019s teaching \u201cPolitics of Black Poetry &amp; Rap,\u201d in which his students wrestle with the texts of artists like Amiri Baraka and Mos Def, and the analyses of radical scholars like Audre Lorde and Robin D. G. Kelley.<\/p>\n<p>Immediately awed by \u201cWurk,\u201d Noble started digging and found that Linqua Franqa is Mariah Parker (they\/them). He reached out with praise and solidarity, along with his class description and an invitation to come speak. Parker agreed to join.<\/p>\n<p>And all of a sudden, a new subterranean line began surging with energy, with power, between Georgia and North Carolina.<\/p>\n<p>Between 51st and 52nd.<\/p>\n<hr class=\"half\" \/>\n<p>Ahead of the class meeting on February 28, Noble invited members of the Greensboro Revolutionary Socialists to join, several of whom turned out in person, and as many on Zoom. What followed was a meeting to remember, and likely a core memory in the political development of any burgeoning young student-activists moving into radical organizing, not to mention the more seasoned folks, too.<\/p>\n<p>Mariah Parker began their introduction by unfolding their own political radicalization, which in many ways went down via hip-hop. In 2016, they first started writing bars in their notebooks in college as a way to cope with an unbearable season in their life. As Parker began to move into the music scene in Athens, Georgia, they knew that despite the impressive artists to come out of the city, it largely had not been a welcoming space for Black folks.<\/p>\n<p>At that time, Parker wasn\u2019t familiar with organizing. But the world around them, in and out of the music scene, began to change their political consciousness and life\u2019s direction.<\/p>\n<p>They recalled the questions that they were forced to grapple with:<\/p>\n<p style=\"padding-left: 40px;\">WHY do the buses not run to certain neighborhoods late enough for people to make it out to a show?<\/p>\n<p style=\"padding-left: 40px;\">WHY can\u2019t a loved one afford to go see a therapist?<\/p>\n<p style=\"padding-left: 40px;\">WHY is a loved one wrestling with whether to continue working in poverty at Wendy\u2019s for $7.25 an hour, or go back to selling weed? When they did go back to dealing, WHY did they get locked up? And when they got out, WHY was life afterwards so fucking hard?<\/p>\n<p>These questions brought forth an important transition in Parker\u2019s political life and in their life as an artist, and ultimately plunged them into more radical organizing. This shifted their lyrical output, too. As Parker told Noble\u2019s class: In hip-hop, lyricists often hammer out the <em>what<\/em>: the conditions around them that they struggle to transcend. But as a political organizer, you must talk about the <em>why<\/em>.<\/p>\n<p>Parker made it a point in their lyrical production to not only wrestle with what they and many in their community lived through, but to imbue this lived experience with political analysis.<\/p>\n<p>In addition to continuing to make music, Parker went from working on political campaigns to running their own. They were elected as the District 2 Commissioner in Athens-Clarke County, a position which they still hold after reelection in 2020.<\/p>\n<p>(They were sworn into office \u2013 at age 26 \u2013 with their hand on a copy of <em>The Autobiography of Malcolm X<\/em>, as their mother held it.)<\/p>\n<p>As County Commissioner, Parker fights to bring about criminal justice reform, to ensure economic stability amid racial injustice and poverty wages, as well as personally engaging in struggles on the ground.<\/p>\n<p>Like Noble, they are also a university worker\u2013a graduate teaching assistant and PhD candidate in the department of language and literacy education at UGA. (<em>United Campus Workers of Georgia 3265, bish!<\/em>)<\/p>\n<hr class=\"half\" \/>\n<p>Back in the UNC-Greensboro classroom, as the Q&amp;A portion began, Noble\u2019s students, in their late teens and very early twenties, held nothing back.<\/p>\n<p>They asked Parker about their artistic goals in this political climate. About the struggle against conforming to standards of the music industry and capitalism. About the one thing in our society Parker would eliminate, if they could. (\u201cPrison.\u201d)<\/p>\n<p>Another student asked Parker about the challenges of being young and a minority, and Parker responded that though many accuse them of being too young to hold political office, the median age in Athens, a college town, is just 27. Parker then added, \u201cAlso, people are surprised to meet me and see that I\u2019m nice, since they\u2019ve seen me screaming into megaphones on top of cars.\u201d<\/p>\n<p>Yet, Parker also told Noble\u2019s class that they recognize the limitations of electoral politics. In many ways, Parker is preempted by Georgia state laws from achieving many of their deepest goals: Raising the minimum wage, realizing reparations, stopping evictions.<\/p>\n<p>But there are other roads.<\/p>\n<p>\u201cA mass movement of people organized to a certain end is more powerful than having someone in a seat of power,\u201d Parker told those in attendance.<\/p>\n<p>What\u2019s essential, too, Parker added, is ensuring marginalized voices have a central role in the processes of political change. \u201c&#8230; Felons, hoes, drug addicts \u2026 they know what it is. Their perspective in what we do is so necessary.\u201d<\/p>\n<p>But even while recognizing the shortcomings of their position, Parker understands its benefits. In addition to using political office to push for radical reform and shift the consciousness of the masses, Parker wants to change mindsets by helping people reach the conclusion: \u201cOh snap, somebody like that can be in a seat like this? I saw her at a show on Friday, maybe I\u2019ll come to City Hall next week.\u201d<\/p>\n<p>As the meeting moved forward, Noble asked Parker about what had led to their stunning lyrical prowess. Parker answered that they have a master\u2019s degree in linguistics. They used that pursuit to study the Lego-kit of the English language: What you can stack, what colors go together, how to utilize slant rhyme, cadence, meter, and more.<\/p>\n<p>Noble mentioned that one of the first things the class read was Audre Lorde\u2019s \u201cPoetry Is Not A Luxury,\u201d and how the essay demands that poetry be a vehicle through which Black women militate against that which seeks to dehumanize them.<\/p>\n<p>Parker agreed, expanding on how imperative and crucial it is to be in tune with their feelings and urges: \u201cSo much about capitalism and the way society is organized is about humiliating and numbing us \u2026 We have to say aloud: <em>That hurt me. I\u2019m upset.<\/em> Saying what upset you should become a catalyst for figuring out: <em>What caused me to feel that way, and how do I get rid of that?<\/em>\u201d<\/p>\n<p>Not only the <em>what<\/em> and <em>why<\/em>, this time, but the <em>how<\/em>.<\/p>\n<p>Then, one of Noble\u2019s students returned to the mic with more questions, wanting to mine more of Parker\u2019s work (and \u201cWurk\u201d), to militate against the world he meets and already faces off against. Parker cheered his encore to the mic louder than anyone present.<\/p>\n<p>Finally, Parker was asked about hope. Their thoughts turned to their six-month-old upstairs. It\u2019s no longer Parker alone who they have to think about.<\/p>\n<p>\u201cI don\u2019t think giving up hope is an option.\u201d<\/p>\n<p>Parker cited Mariame Kaba\u2019s idea that <em>hope is a discipline<\/em>. They practice radical gratitude. They practice hope fitness, and they become stronger: \u201cYou go from wheezing at your mailbox to hittin\u2019 Kilimanjaro, all the way to the top.\u201d<\/p>\n<p>\u201cWe have to survive this work somehow,\u201d they said. \u201cI do take my cheat days where I say, <em>I don\u2019t know if we got this<\/em>, but then I get back on my routine.\u201d<\/p>\n<hr class=\"half\" \/>\n<p>Before signing off, Parker had one last thing to say:<\/p>\n<p>\u201cYou have the coolest class on the planet! <em>The<\/em> <em>planet<\/em>!! I\u2019ll be back!\u201d<\/p>\n<p>And it didn\u2019t sound like an empty promise. Already, they\u2019ve invited Noble to be on their podcast as soon as they can both work it out. Building. Growing. Setting down roots and connecting their networks so that each time, the uprising might gain new ground.<\/p>\n<p>The meeting came to an end. Perhaps the high of connectivity, of solidarity, of engaging with a comrade you never knew you had, was bound to come down. But only slightly.<\/p>\n<aside class=\"pullquote\">[I]f you spend enough time in the South, you\u2019ll realize that in some unlikely places, like down in the bottoms by the creek beds, or on the edges of a bayou, or out in the hollers, something remarkable happens. The honeysuckle runs red.<\/aside>\n<p>In Bessemer, Alabama, workers at Amazon are struggling, once again, to unionize in the South\u2019s crippling conditions and against the behemoth corporation\u2019s state-sponsored stacked deck. While the most recent vote was closer than before, it appears the union effort was narrowly defeated. (The recent victory in Staten Island, however, could help in future efforts.)<\/p>\n<p>And just two days before meeting with Noble\u2019s class, Parker was there with those workers, in Alabama, bearing their gifts, and documenting it. Building. Of course they were.<\/p>\n<p>The day after the class meeting, members of the UE 150, the North Carolina Public Service Workers Union, which had sent out the \u201cWurk\u201d video a month earlier, were rallying for fair pay and better protections outside of Government Plaza in downtown Greensboro. Struggling in the state with the worst conditions for workers <em>in the country<\/em>.<\/p>\n<p>And the Greensboro Revolutionary Socialists were among those there, bringing their solidarity, and documenting it. Building. Of course they were.<\/p>\n<p>Because if you spend enough time in the South, you\u2019ll realize that in some unlikely places, like down in the bottoms by the creek beds, or on the edges of a bayou, or out in the hollers, something remarkable happens. The honeysuckle runs red.<\/p>\n<p>And if this gives you a curious yearning \u2026 <em>Guess fucking what!<\/em><\/p>\n<p>We\u2019ve got your back,<br \/>\nAnd we\u2019re happy to have ya,<\/p>\n<p>Out on the picket line,<\/p>\n<p>Actively working,<\/p>\n<p>Going:<\/p>\n<p>Which side are you on?!?<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>Joel Sronce<\/strong> reflects on an event featuring artist and activist Linqua Franqa and the importance of cultural workers to radical organizing in the South.<\/p>\n","protected":false},"author":142,"featured_media":6147,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,268],"tags":[269,18],"class_list":["post-6135","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-article","category-culture-and-arts","tag-arts-and-culture","tag-black-liberation"],"jetpack_featured_media_url":"https:\/\/tempestmag.org\/test02\/wp-content\/uploads\/2022\/04\/BuildingFromTheBottom.jpg","_links":{"self":[{"href":"https:\/\/tempestmag.org\/test02\/wp-json\/wp\/v2\/posts\/6135","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tempestmag.org\/test02\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tempestmag.org\/test02\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tempestmag.org\/test02\/wp-json\/wp\/v2\/users\/142"}],"replies":[{"embeddable":true,"href":"https:\/\/tempestmag.org\/test02\/wp-json\/wp\/v2\/comments?post=6135"}],"version-history":[{"count":0,"href":"https:\/\/tempestmag.org\/test02\/wp-json\/wp\/v2\/posts\/6135\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tempestmag.org\/test02\/wp-json\/wp\/v2\/media\/6147"}],"wp:attachment":[{"href":"https:\/\/tempestmag.org\/test02\/wp-json\/wp\/v2\/media?parent=6135"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tempestmag.org\/test02\/wp-json\/wp\/v2\/categories?post=6135"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tempestmag.org\/test02\/wp-json\/wp\/v2\/tags?post=6135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}