{"id":14285,"date":"2025-10-13T07:00:48","date_gmt":"2025-10-13T11:00:48","guid":{"rendered":"https:\/\/tempestmag.org\/?p=14285"},"modified":"2025-10-22T03:47:41","modified_gmt":"2025-10-22T07:47:41","slug":"indigenous-peoples-day","status":"publish","type":"post","link":"https:\/\/tempestmag.org\/test02\/2025\/10\/indigenous-peoples-day\/","title":{"rendered":"Indigenous Peoples\u2019 Day"},"content":{"rendered":"<p><strong><a href=\"https:\/\/nakinisowin.wordpress.com\/category\/poetry\/\">\u201cColonialism: A Love Story\u201d<\/a><\/strong><span style=\"font-weight: 400;\"> by writer and academic Billy-Ray Belcourt of the Driftpile Cree Nation. Like much of Belcourt\u2019s work, \u201cColonialism: A Love Story\u201d mixes theory with poetics to explore the enduring violences of colonialism on the queer NDN body.<\/span><\/p>\n<p><strong><a href=\"https:\/\/poets.org\/anthology\/poems-indigenous-peoples-day\">Poems for Indigenous Peoples\u2019 Day<\/a><\/strong><span style=\"font-weight: 400;\"> at <\/span><a href=\"http:\/\/poets.org\/\"><span style=\"font-weight: 400;\">poets.org<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><strong><a href=\"https:\/\/milkweed.org\/book\/braiding-sweetgrass\">Braiding Sweetgrass <\/a><\/strong><span style=\"font-weight: 400;\">by Robin Wall Kimmerer, natural scientist and member of the Citizen <\/span><span style=\"font-weight: 400;\">Potawatomi Nation. The author argues that understanding other beings leads to an understanding of the generosity of the earth, and that we must learn to give our own gifts in turn.<\/span><\/p>\n<p><strong><a href=\"https:\/\/yellowheadinstitute.org\/2021\/writing-myself-into-existence\/\">\u201cWriting Myself Into Existence: An Essay on the Erasure of Black Indigenous Identity in Canadian Education\u201d<\/a><\/strong><span style=\"font-weight: 400;\"> by Etanda Arden, who identifies as Black and Indigenous and describes the imperative of making spaces for pride and recognition and for a Black Indigenous curriculum, which applies to both the Canadian and U.S. systems.<\/span><\/p>\n<p><strong><a href=\"https:\/\/www.nypl.org\/blog\/2020\/10\/09\/honoring-indigenous-peoples-recommended-reads\">New York Public Library Recommended Reading List <\/a><\/strong>Honoring Indigenous Peoples.<\/p>\n<p><strong><a href=\"https:\/\/www.haymarketbooks.org\/books\/898-all-our-relations\">All Our Relations<\/a><\/strong><span style=\"font-weight: 400;\"> by Winona LaDuke: an a<\/span><span style=\"font-weight: 400;\">ccount of Native struggles against environmental and cultural degradation featuring chapters on the Seminoles, the Anishinaabeg, the Innu, the Northern Cheyenne, and the Mohawks, among others.<\/span><\/p>\n<p><strong>\u201c<a href=\"https:\/\/www.latimes.com\/news\/la-na-navajo19nov19-story.html\">A Peril that Dwelt Among the Navajos<\/a><\/strong><span style=\"font-weight: 400;\"><strong>\u201d<\/strong>: an <\/span><i><span style=\"font-weight: 400;\">L.A. Times<\/span><\/i><span style=\"font-weight: 400;\"> expos\u00e9 by Judy Pasternak, author of <\/span><i><span style=\"font-weight: 400;\">Yellow Dirt: A Poisoned Land and Betrayal of the Navajos<\/span><\/i><span style=\"font-weight: 400;\">. Pasternak documents the effects of uranium mining on Indigenous land.\u00a0<\/span><\/p>\n<p><strong><a href=\"https:\/\/lareviewofbooks.org\/article\/an-indigenous-elsewhere-a-conversation-with-sandy-grande\/\">An Indigenous Elsewhere: A Conversation with Sandy Grande<\/a><\/strong><span style=\"font-weight: 400;\"> and Bhatki Shringarpure published in the <\/span><i><span style=\"font-weight: 400;\">Los Angeles Review of Books<\/span><\/i><span style=\"font-weight: 400;\">. In this interview, Quechua National, scholar, and author of <\/span><i><span style=\"font-weight: 400;\">Red Pedagogy,<\/span><\/i><span style=\"font-weight: 400;\"> Sandy Grande, reflects on education, feminism, capitalism, and identity.<\/span><\/p>\n<p><strong><a href=\"https:\/\/www.penguinrandomhouse.com\/books\/656310\/wandering-stars-by-tommy-orange\/\">Wandering Stars<\/a><\/strong><span style=\"font-weight: 400;\">, Tommy Orange\u2019s (Cheyenne and Arapaho) second novel, traces an Indigenous family\u2019s lineage from the Sand Creek Massacre (1864) to present-day Oakland.\u00a0<\/span><\/p>\n<p><strong><a href=\"https:\/\/www.haymarketbooks.org\/books\/2533-theory-of-water\">Theory of Water: Nishnaabe Maps to the Times Ahead<\/a><\/strong><span style=\"font-weight: 400;\"> by Leanne Betasamosake Simpson (<\/span><span style=\"font-weight: 400;\">Michi Saagiig Nishnaabeg) offers a radical critique of the present and a reimagining of the relationship between the human and water.<\/span><\/p>\n<p><strong><a href=\"https:\/\/www.cambridge.org\/core\/books\/new-order-of-things\/7D316224A75213C59CF8690B5F1B94EB\">A New Order of Things: Property, Power, and the Transformation of the Creek Indians, 1733\u20131816<\/a><\/strong><span style=\"font-weight: 400;\"> by Claudio Saunt, looks at the encounters of Muscogee (Creeks) with Europeans and capitalism. Saunt explains how a division between Creek \u201chaves\u201d and \u201chave-nots\u201d developed and helped stoke the 1813-1814 \u201cRedstick War,\u201d which combined a revolt of the have-nots against private wealth with a fight against U.S. encroachment.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>Indigenous Presses<\/strong> listed at<\/span> <a href=\"http:\/\/indigenousjournalists.org\/\"><span style=\"font-weight: 400;\">IndigenousJournalists.org<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Native-led news site<\/span> <a href=\"https:\/\/www.buffalosfire.com\/\"><span style=\"font-weight: 400;\"><strong>Buffalo\u2019s Fire<\/strong><\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><strong><a href=\"https:\/\/azluminaria.org\/mmip-arizona\/\">Arizona Luminaria<\/a><\/strong><span style=\"font-weight: 400;\">,<\/span> <span style=\"font-weight: 400;\">A first-of-its-kind database dedicated to Missing and Murdered Indigenous Women, Girls, Two-Spirit, and Transgender People in Arizona.<\/span><\/p>\n<p><strong>The documentaries<\/strong><a href=\"https:\/\/www.badpress.film\/\"><span style=\"font-weight: 400;\"> Bad Press<\/span><\/a><span style=\"font-weight: 400;\"> (about censorship of Native stories and resistance to censorship) and <\/span><a href=\"https:\/\/go.mediaed.org\/more-than-a-word\"><span style=\"font-weight: 400;\">More Than a Word<\/span><\/a><span style=\"font-weight: 400;\"> (about eliminating racist sports mascots).<\/span><\/p>\n<p>[embedyt] https:\/\/www.youtube.com\/watch?v=-7lF-R0Yyds[\/embedyt]<\/p>\n<p><span style=\"font-weight: 400;\"><strong>Raye Zaragoza<\/strong>, a singer-songwriter of mixed heritage, including O\u2019odham. She wrote the song <a href=\"https:\/\/www.youtube.com\/watch?v=-7lF-R0Yyds\">&#8220;In the River&#8221;<\/a> in 2016 to show support for the Standing Rock Sioux tribe&#8217;s protest against the Dakota Access Pipeline.<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The <strong>Tempest editorial board<\/strong> suggests a list of readings and resources for Indigenous Peoples\u2019 Day.<\/p>\n","protected":false},"author":5,"featured_media":14287,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[196,229,393,547],"class_list":["post-14285","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-article","tag-anti-colonialism","tag-colonialism","tag-indigenous-movement","tag-settler-colonialism"],"jetpack_featured_media_url":"https:\/\/tempestmag.org\/test02\/wp-content\/uploads\/2025\/10\/Copy-of-tempest_feature_card-5.jpg","_links":{"self":[{"href":"https:\/\/tempestmag.org\/test02\/wp-json\/wp\/v2\/posts\/14285","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tempestmag.org\/test02\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tempestmag.org\/test02\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tempestmag.org\/test02\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/tempestmag.org\/test02\/wp-json\/wp\/v2\/comments?post=14285"}],"version-history":[{"count":0,"href":"https:\/\/tempestmag.org\/test02\/wp-json\/wp\/v2\/posts\/14285\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tempestmag.org\/test02\/wp-json\/wp\/v2\/media\/14287"}],"wp:attachment":[{"href":"https:\/\/tempestmag.org\/test02\/wp-json\/wp\/v2\/media?parent=14285"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tempestmag.org\/test02\/wp-json\/wp\/v2\/categories?post=14285"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tempestmag.org\/test02\/wp-json\/wp\/v2\/tags?post=14285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}